Bibliography

Books

Bakan, Michael B. 2018. Speaking for Ourselves: Conversations on Life, Music, and Autism. New York: Oxford University Press.

Cheng, William. 2016. Just Vibrations: The Purpose of Sounding Good. Ann Arbor: University of Michigan Press. DOI: http://dx.doi.org/10.3998/mpub.9293551.

Groemer, Gerald. 2016. Goze: Women, Musical Performance, and Visual Disability in Traditional Japan. New York: Oxford University Press.

Leonard, Kendra. 2009. Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations. Lanham, MD: Scarecrow.

Lubet, Alex. 2011. Music, Disability, and Society. Philadelphia: Temple University Press.

McKay, George. 2013. Shakin’ All Over: Popular Music and Disability. Ann Arbor: University of Michigan Press.

Rowden, Terry. 2009. The Songs of Blind Folk: African-American Musicians and the Cultures of Blindness. Ann Arbor: The University of Michigan Press.

Spelman, Nicola. 2012. Popular Music and the Myths of Madness. Surrey, UK: Ashgate.

Straus, Joseph N. 2011. Extraordinary Measures: Disability in Music. New York: Oxford University Press.

  • Lubet (2011) and Straus (2011) reviewed by Jennifer Iverson in Journal of the American Musicological Society 65, no. 2 (Summer 2012): 611–622.
  • Straus (2011) reviewed by Bruce Quaglia in Music Theory Spectrum 35, no. 1 (April 2013): 132–137; Stefan Honisch in Journal of Musicological Research 31, nos. 2–3 (June 2012): 200–203; Tara K. Wood in Disability Studies Quarterly 32, no. 3 (2012); and Rosemarie Garland-Thomson in American Quarterly 65, no. 4 (December 2013): 915–926.

Straus, Joseph N. 2018. Broken Beauty: Musical Modernism and the Representation of Disability. New York: Oxford University Press.

Téllez Vargas, Alejandro Alberto. 2018. Disability and Music Performance. New York: Routledge.

Wallace, Robin. 2018. Hearing Beethoven: A Story of Musical Loss and Discovery. Chicago: University of Chicago Press.

Dissertations

Accinno, Michael. 2016. “Gestures of Inclusion: Blindness, Music, and Pedagogy in Nineteenth-Century Thought.” Ph.D. dissertation, University of California, Davis.

Gatti, Matthew. 2018. “Inside/Outside: Representations of Invisible Illness in The Who’s Quadrophenia.” DMA dissertation, Temple University.

Georgakarakou, Maria. 2015. “Insanity, Hysteria and Melancholy in Seventeenth-Century English Continuo Song.” Ph.D. dissertation, Boston University.

Hogan, Brian. 2011. “Enemy Music: Blind Birifor Xylophonists of Northwest Ghana.” Ph.D. dissertation, University of California, Los Angeles.

Holmes, Jessica Allison. 2017. “Music, Disability, and Embodiment in Contemporary Performance.” Ph.D. dissertation, McGill University.

Honisch, Stefan Sunandan. 2016. “Different eyes, ears, and bodies: pianist Nobuyuki Tsujii and the education of the sensorium through musical performance.” Ph.D. dissertation, University of British Columbia.

Howe, Blake. 2010. “Music and the Embodiment of Disability.” Ph.D. dissertation, The Graduate Center: City University of New York.

Jenkins, Megan B. 2010. “Madness, Sexuality, and Gender in Early Twentieth-Century Musical Theater Pieces.” Ph.D. dissertation, The Graduate Center: City University of New York.

Jones, Matthew J. 2014. “How to Make Music in an Epidemic: Hearing AIDS, 1981-1996.” Ph.D. dissertation, The University of Virginia.

Maher, Erin K. 2016. “Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity.” Ph.D. dissertation, University of North Carolina at Chapel Hill.

Prescott, John. 2012. “John Stanley, A Miracle of Art and Nature: The Role of Disability in the Life and Career of a Blind Eighteenth Century Musician.” Ph.D. dissertation, University of California, Berkeley.

Spelman, Nicola. 2009. “All the madmen: Popular music, anti-psychiatry and the myths of madness.” Ph.D. dissertation, University of Salford. http://usir.salford.ac.uk/id/eprint/26919

Téllez Vargas, Alejandro Alberto. 2016. “Able Performers, Defective Audiences: Disability and Music Performance.” Ph.D. dissertation, University of Melbourne. http://hdl.handle.net/11343/113723.

Tift, Matthew. 2007. “Musical AIDS: Music, Musicians and the Cultural Construction of HIV/AIDS in the United States.” Ph.D. dissertation, University of Wisconsin, Madison.

VanderHamm, David. 2017. “The Social Construction of Virtuosity: Musical Labor and the Valuation of Skill in the Age of Electronic Media.” Ph.D. dissertation, University of North Carolina at Chapel Hill.

Essay Collections

Gilman, Sander, and Youn Kim, eds. 2018. The Oxford Handbook of Music and the Body. New York: Oxford University Press.

  • Authors: Michael B. Bakan, H. M. Evans, Yayoi U. Everett, Evelyn Glennie, Sander L. Gilman, and Youn Kim, Marina Gilman, Sander L. Gilman, Rolf Inge Godøy, Stefan Sunandan Honisch, Blake Howe, Michael Hutcheon and Linda Hutcheon, Shersten Johnson,James Kennaway, Hedy Law, Paul Lennard, Xuejing Lu and William Forde Thompson, Eugene Montague, Mia Nakamura, Jay Schulkin, Byron Suber, Atau Tanaka and Marco Donnarumma.

Howe, Blake, Stephanie Jensen-Moulton, Neil Lerner, and Joseph N. Straus, eds. 2016. The Oxford Handbook of Music and Disability Studies. New York: Oxford University Press.

  • Authors: Michael Accinno, Michael B. Bakan, Samantha Bassler, Michael Beckerman, Devin Burke, Licia Carlson, Michael Scott Cuthbert, James Deaville, Ann Fox, Will Fulton, Allen Gimbel, Floyd Grave, Brian Hogan, Stefan Sunandan Honisch, Blake Howe, Jennifer Iverson, Stephanie Jensen-Moulton, Shersten Johnson, Jeannette DiBernardo Jones, Beth Keyes, Marianne Kielian-Gilbert, Raymond Knapp, Hedy Law, Sherry Lee, Kendra Preston Leonard, Neil Lerner, Anabel Maler, Fred Everett Maus, George McKay, Sean Murray, Bruce Quaglia, Daniella Santoro, Jessica Schwartz, Julie Singer, Elaine Sisman, Jessica Sternfeld, Laurie Stras, Joseph Straus, Ingrid Sykes

Lerner, Neil and Joseph N. Straus, eds. 2006. Sounding Off: Theorizing Disability in Music. New York: Routledge.

  • Authors: Paul Attinello, Poundie Burstein, Maria Cizmic, Daniel Goldmark, Kelly Gross, Dave Headlam, Jennifer Iverson, Stephanie Jensen-Moulton, Marianne Kielian-Gilbert, Neil Lerner, Timothy Maloney, Adam Ockelford, Andrew Oster, Stephen Rodgers, Laurie Stras, Joseph Straus.

Special Journal Issues

Howe, Blake, and Stephanie Jensen-Moulton, conveners. 2016. “Colloquy: On the Disability Aesthetics of Music.” Journal of the American Musicological Society 69, no. 2 (Summer): 525–563.

Lubet, Alex and Na’ama Sheffi, eds. 2008. “To Dance Beneath the Sky with One Hand…” (Forum on Disability and Music). The Review of Disability Studies: An International Journal 4 (1-2).

“Popular Music and Disability.” 2009. Popular Music 28, no. 3 (October).

Robinson, Octavian, coordinator. 2018. “Music and Deaf Studies/Culture/ASL.” Journal of American Sign Languages and Literatures (August).

Special Issue on Music and Disability. 2009. Music Theory Online 15, nos. 3-4 (August) http://www.mtosmt.org/issues/mto.09.15.3/toc.15.3.html.

Special Issue on Music Therapy and Disability Studies. 2014. Voices: A World Forum for Music Therapy 14, no. 3 (November). http://dx.doi.org/10.15845/voices.v14i3.

Book Chapters

Accinno, Michael. 2016. “Disabled Union Veterans and the Performance of Martial Begging.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 403–422. New York: Oxford University Press.

Apolloni, Alexandra. 2014. “Starstruck: On Gaga, Voice, and Disability.” In Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture, edited by Martin Iddon and Melanie L. Marshall, 190–208. New York: Routledge.

Attinello, Paul. 2006a. “Closeness and Distance: Songs about AIDS.” In Queering the Popular Pitch, edited by Sheila Whitely and Jennifer Rycenga, 221–231. London: Routledge.

Attinello, Paul. 2006b. “Fever/Fragile/Fatigue: Music, AIDS, Present, and….” In Sounding Off, edited by Lerner and Straus, 13–22. New York: Routledge.

Attinello, Paul. 2017. “Deaths and Silences: Coding and Defiance in Music about AIDS.” In The Oxford Handbook of Music Censorship, edited by Patricia Hall, 623–636. Oxford: Oxford University Press.

Bakan, Michael B. 2016. “Toward an Ethnographic Model of Disability in the Ethnomusicology of Autism.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 15–36. New York: Oxford University Press.

Bassler, Samantha. 2016. “Madness and Music as (Dis)ability in Early Modern England.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 529–538. New York: Oxford University Press.

Beckerman, Michael. 2016. “Oh, the Stories We Tell! Performer–Audience–Disability.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 293–304. New York: Oxford University Press.

Burke, Devin. 2016. “‘Good Bye, Old Arm’: The Domestication of Veterans’ Disabilities in Civil War Era Popular Songs.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 423–446. New York: Oxford University Press.

Burstein, L. Poundie. 2006 “Les chansons des fous: On the Edge of Madness with Alkan.” In Sounding Off, edited by Lerner and Straus, 187–198. New York: Routledge.

Carlson, Licia. 2013. “Musical Becoming: Intellectual Disability and the Transformative Power of Music.” In Foundations of Disability Studies, edited by Matthew Wappett and Katrina Arndt, 83–103. New York: Palgrave Macmillan.

Carlson, Licia. 2016. “Music, Intellectual Disability, and Human Flourishing.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 37–53. New York: Oxford University Press.

Cizmic, Maria. 2006. “Of Bodies and Narratives: Musical Representations of Pain and Illness in HBO’s W;t.” In Sounding Off, edited by Lerner and Straus, 23–40. New York: Routledge.

Cuthbert, Michael Scott. 2016. “Difference, Disability, and Composition in the Late Middle Ages: Of Antonio ‘Zachara’ de Teramo and Francesco ‘Il Cieco’ da Firenze.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 517–528. New York: Oxford University Press.

Deaville, James. 2016. “Sounds of Mind: Music and Madness in the Popular Imagination.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 37–53. New York: Oxford University Press.

Ellis, Katie. 2015. “Enfreaking Popular Music: Making Us Think by Making Us Feel.” In Disability and Popular Culture: Focusing Passion, Creating Community, and Expressing Defiance, 101–118. Surrey, UK: Ashgate.

Fox, Ann M. 2016. “Scene in a New Light: Monstrous Mothers, Disabled Daughters, and the Performance of Feminism and Disability in The Light in the Piazza (2005) and Next to Normal (2008).” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 775–794. New York: Oxford University Press.

Fulton, Will. 2016. “Stevie Wonder’s Tactile Keyboard Mediation, Black Key Compositional Development, and the Quest for Creative Autonomy.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 272–292. New York: Oxford University Press.

Gimbel, Allen. 2016. “Broken Facture: Representations of Disability in the Music of Allan Pettersson.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 707–728. New York: Oxford University Press.

Goldmark, Daniel. 2006. “Stuttering in American Popular Song, 1890–1930.” In Sounding Off, edited by Lerner and Straus, 91–105. New York: Routledge.

Grave, Floyd. 2016. “Narratives of Affliction and Recovery in Haydn.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 563–589. New York: Oxford University Press.

Gross, Kelly. 2006. “Female Subjectivity, Disability, and Musical Authorship in Krzysztof Kieslowski’s Blue.” In Sounding Off, edited by Lerner and Straus, 41–55. New York: Routledge.

Headlam, Dave. 2006. “Learning to Hear Autistically.” In Sounding Off, edited by Lerner and Straus, 109–120. New York: Routledge.

Hogan, Brian. 2016. “‘They Say We Exchanged Our Eyes for the Xylophone’: Resisting Tropes of Disability as Spiritual Deviance in Birifor Music.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 112–130. New York: Oxford University Press.

Honisch, Stefan Sunandan. 2016a. “Moving Experiences: Blindness and the Performing Self in Imre Ungár’s Chopin.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 246–271. New York: Oxford University Press.

Honisch, Stefan Sunandan. 2016b. “Music, Sound, and Noise as Bodily Disorders: Disabling the Filmic Diegesis in Hideo Nakata’s Ringu and Gore Verbinski’s The Ring.” In Transnational Horror Cinema: Bodies of Excess and the Global Grotesque, edited by Sophia Siddique Harvey and Raphael Raphael, 113-131. London: Palgrave Macmillan.

Honisch, Stefan Sunandan. 2018. “Virtuosities of Deafness and Blindness: Musical Performance and The Prized Body.” In The Oxford Handbook of Music and the Body, edited by Gilman and Kim. Oxford University Press. DOI: 10.1093/oxfordhb/9780190636234.013.9.

Howe, Blake. 2016a. “Disabling Musical Performance.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 191–209. New York: Oxford University Press.

Howe, Blake. 2016b. “Saul, David, and Music’s Ideal Body.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 539–559. New York: Oxford University Press.

Howe, Blake. 2018. “Musical Remediation of Disability.” In The Oxford Handbook of Music and the Body, edited by Gilman and Kim. Oxford University Press. DOI: 10.1093/oxfordhb/9780190636234.013.10

Iverson, Jennifer. 2006. “Dancing out of the Dark: How Music Refutes Disability Stereotypes in Dancer in the Dark.” In Sounding Off, edited by Lerner and Straus, 41–55. New York: Routledge.

Jensen-Moulton, Stephanie. 2006. “Finding Autism in the Compositions of a 19th-Century Prodigy: Reconsidering ‘Blind Tom’ Wiggins.” In Sounding Off , edited by Lerner and Straus, 199–215. New York: Routledge.

Jensen-Moulton, Stephanie. 2016a. “‘Defamiliarizing the Familiar’: Michael Nyman, Narrative Medicine, and the Composition of Mental Blindness.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 756–771. New York: Oxford University Press.

Jensen-Moulton, Stephanie. 2016b. “Musical and Bodily Difference in Cirque du Soleil.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 210–225. New York: Oxford University Press.

Johnson, Shersten. 2016. “Understanding Is Seeing: Music Analysis and Blindness.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 131–153. New York: Oxford University Press.

Jones, Jeanette DiBernardo. 2016. “Imagined Hearing: Music-Making in Deaf Culture.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 54–72. New York: Oxford University Press.

Keyes, Beth. 2016. “‘The Absurd Disordering of Notes’: Dysfunctional Memory in the Post-Traumatic Music of Ivor Gurney.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 447–475. New York: Oxford University Press.

Kielian-Gilbert, Marianne. 2006. “Beyond Abnormality: Dis/ability and Music’s Metamorphic Subjectivities.” In Sounding Off, edited by Lerner and Straus, 217–234. New York: Routledge.

Kielian-Gilbert, Marianne. 2016. “Disabled Moves: Multidimensional Music Listening, Disturbing/Activating Differences of Identity.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 371–399. New York: Oxford University Press.

Knapp, Raymond. 2016. “‘Waitin’ for the Light to Shine’: Musicals and Disability.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 814–835. New York: Oxford University Press.

Law, Hedy. “A Cannon-Shaped Man with an Amphibian Voice: Castrato and Disability in Eighteenth-Century France.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 329–344. New York: Oxford University Press.

Lee, Sherry D. 2016. “Modernist Opera’s Stigmatized Subjects.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 661–683. New York: Oxford University Press.

Leonard, Kendra Preston. 2016. “Music for Oliver’s Richard III: Cinematic Scoring for the Early Modern Monstrous. In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 836–855. New York: Oxford University Press.

Lerner, Neil. 2006. “The Horrors of One-Handed Pianism: Music and Disability in The Beast with Five Fingers.” In Sounding Off, edited by Lerner and Straus, 75–90. New York: Routledge.

Lerner, Neil. 2016 “Hearing a Site of Masculinity in Franz Waxman’s Score for Pride of the Marines (1945).” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 856–890. New York: Oxford University Press.

Maler, Anabel. 2016. “Musical Expression Among Deaf and Hearing Song Signers.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 73–91. New York: Oxford University Press.

Maloney, S. Timothy. 2006. “Glenn Gould, Autistic Savant.” In Sounding Off, edited by Lerner and Straus, 121–135. New York: Routledge.

Manco, Daniel. 2011. “In Our Different Ways We Are the Same: Morrissey and Representations of Disability.” In Morrissey: Fandom, Representations, and Identities, edited by Eoin Devereux, Aileen Dillane, and Martin J. Power, 119–137. Chicago: Intellect.

Maus, Fred Everett. 2016. “Sexuality, Trauma, and Dissociated Expression.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 345–356. New York: Oxford University Press.

Murray, Sean. 2016. “‘That Weird and Wonderful Posture’: Jump ‘Jim Crow’ and the Performance of Disability.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 357–370. New York: Oxford University Press.

Oster, Andrew. 2006. “Melisma as Malady: Cavalli’s Il Giasone (1649) and Opera’s Earliest Stuttering Role.” In Sounding Off, edited by Lerner and Straus, 157–171. New York: Routledge.

Quaglia, Bruce. 2016. “Musical Prosthesis: Form, Expression, and Narrative Structure in Beethoven’s Sonata Movements.” In The Oxford Handbook of Music and Disability Studies,  edited by Howe, et al., 618–639. New York: Oxford University Press.

Rodgers, Stephen. 2006. “Mental Illness and Musical Metaphor in the First Movement of Hector Berlioz’s Symphonie fantastique.” In Sounding Off, edited by Lerner and Straus, 235–256. New York: Routledge.

Santoro, Daniella. 2016. “The Dancing Ground: Embodied Knowledge, Disability, and Visibility in New Orleans Second Lines.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 305–326. New York: Oxford University Press.

Schrader, Meghan. 2014. “The Sound of Disability: Music, the Obsessive Avenger, and Eugenics in America.” Anxiety Muted: American Film Music in a Suburban Age, edited by Stanley C. Pelkey II and Anthony Bushard, 168–185. New York: Oxford University Press. DOI: 10.1093/acprof:oso/9780199936151.001.0001.

Schwartz, Jessica A. 2016. “Vocal Ability and Musical Performances of Nuclear Damages in the Marshall Islands.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 476–494. New York: Oxford University Press.

Singer, Julie. 2010. “Playing by Ear: Compensation, Reclamation, and Prosthesis in Fourteenth-Century Song.” In Disability in the Middle Ages: Reconsiderations and Reverberations, edited by Joshua R. Eyler, 39–52. Aldershot: Ashgate.

Singer, Julie. 2016. “Lyrical Humor(s) in the ‘Fumeur’ Songs.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 497–516. New York: Oxford University Press.

Sisman, Elaine. 2016. “Music and the Labyrinth of Melancholy: Traditions and Paradoxes in C. P. E. Bach and Beethoven.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 590–617. New York: Oxford University Press.

Sternfeld, Jessica. 2016. “‘Pitiful Creatures of Darkness’: The Subhuman and the Superhuman in The Phantom of the Opera.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 795–813.

Stras, Laurie. 2006. “The Organ of the Soul: Voice, Damage, and Affect.” In Sounding Off, edited by Lerner and Straus, 173–184. New York: Routledge.

Stras, Laurie. 2016. “Subhuman or Superhuman?: (Musical) Assistive Technology, Performance, Enhancement, and the Aesthetic/Moral Debate.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 176–190. New York: Oxford University Press.

Straus, Joseph N. 2006. “Inversional Balance and the ‘Normal’ Body in the Music of Arnold Schoenberg and Anton Webern.” In Sounding Off, edited by Lerner and Straus, 257–268. New York: Routledge.

Straus, Joseph N. 2016a. “Autism and Postwar Serialism as Neurodiverse Forms of Cultural Modernism.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 684–706. New York: Oxford University Press.

Straus, Joseph N. 2016b. “Representing the Extraordinary Body: Musical Modernism’s Aesthetics of Disability.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 729–755. New York: Oxford University Press.

Sykes, Ingrid. 2016. “The Politics of Sound: Music and Blindness in France, 1750–1830.” In The Oxford Handbook of Music and Disability Studies, edited by Howe, et al., 92–111. New York: Oxford University Press.

Wallace, Robin, trans. and ed. 2017. The Critical Reception of Beethoven’s Compositions by His German Contemporaries, Op. 125. Boston: Center for Beethoven Research, Boston University.

Journal Articles

Bahl, Seema. 2015. “Disability, Hybridity, and Flamenco Cante.” Women, Gender, and Families of Color 3, no. 1 (Spring): 1–18.

Bakan, Michael B. 2014a. “Ethnomusicological Perspectives on Autism, Neurodiversity, and Music Therapy.” Voices: A World Forum for Music Therapy 14, no. 3 (November). https://voices.no/index.php/voices/article/view/799.

Bakan, Michael B. 2014b. “The Musicality of Stimming: Promoting Neurodiversity in the Ethnomusicology of Autism.” MUSICultures 41 (2): 133–161.

Bakan, Michael B. 2015. “‘Don’t Go Changing to Try and Please Me’: Combating Essentialism Through Ethnography in the Ethnomusicology of Autism.” Ethnomusicology 59, no. 1 (Winter): 116–144.

Bassler, Samantha. 2012. “‘That suck’d the honey of his music vows’: Disability Studies in Early Modern Musicological Research.” Postmedieval 3, no. 2 (May): 182–94.

Bassler, Samantha. 2014. “‘But You Don’t Look Sick’: Dismodernism, Disability Studies and Music Therapy on Invisible Illness and the Unstable Body.” Voices: A World Forum for Music Therapy 14, no. 3 (November). https://voices.no/index.php/voices/article/view/802.

Best, Katelyn. 2015–2016. “‘We Still Have a Dream’: The Deaf Hip Hop Movement and the Struggle Against the Socio-Cultural Marginalization of Deaf People.” Lied und populäre Kultur/Song and Popular Culture 60–61: 61–86.

Cameron, Colin. 2009. “Tragic but Brave or Just Crips with Chips? Songs and Their Lyrics in the Disability Arts Movement in Britain.” Popular Music 28, no. 3 (October): 381–96.

Carrico, Alexandria Heaton. 2015. “Constructing a Two-Way Street: An Argument for Interdisciplinary Collaboration through an Ethnomusicological Examination of Music Therapy, Medical Ethnomusicology, and Williams Syndrome.” Voices: A World Forum for Music Therapy 15, no. 3 (November). http://dx.doi.org/10.15845/voices.v15i3.825.

Challis, Ben. 2009. “Technology, Accessibility and Creativity in Popular Music Education.” Popular Music 28, no. 3 (October): 425–31.

Cheng, William. 2017. “Staging Overcoming: Narratives of Disability and Meritocracy in Reality Singing Competitions.” Journal of the Society for American Music 11, no. 2 (May): 184–214.

Chivers, Sally. 2003. “Disability Studies and the Vancouver Opera’s Of Mice and Men.” Disability Studies Quarterly 23 (1): 95–108. http://dx.doi.org/10.18061/dsq.v23i1.402.

Cripps, Jody H., Ely Rosenblum, Anita Small, and Samuel J. Supalla. 2017. “A Case Study on Signed Music: The Emergence of an Inter-performance Art.” Liminalities: A Journal of Performance Studies 13 (2). http://liminalities.net/13-2/signedmusic.html.

Dell’Antonio, Andrew and Elizabeth Grace. 2016. “No Musicking About Us Without Us!” Journal of the American Musicological Society 69, no. 2 (Summer): 525–563.

Elflein, Dietmar. 2009. “A Popular Music Project and People with Disabilities Community in Hamburg, Germany: The Case of Station 17.” Popular Music 28, no. 3 (October): 397–410.

Grave, Floyd. 2008. “Recuperation, Transformation, and the Transcendence of Major over Minor in the Finale of Haydn’s String Quartet, Op. 76, No. 1.” Eighteenth-Century Music 5, no. 1 (March): 27–50. https://doi.org/10.1017/S147857060800119X.

Herr, Cheryl. 2009. “Roll-over-Beethoven: Johnnie Ray in Context.” Popular Music 28, no. 3 (October): 323–40.

Holmes, Jessica A. 2016. “Singing beyond Hearing.” Journal of the American Musicological Society 69, no. 2 (Summer): 542–548.

Holmes, Jessica A. 2017 “Expert Listening beyond the Limits of Hearing: Music and Deafness.” Journal of the American Musicological Society 70, no. 1 (Spring): 171–220.

Honisch, Stefan Sunandan. 2009a. “Re-narrating Disability through Musical Performance.” Music Theory Online 15, nos. 3-4 (August).

Honisch, Stefan. 2009b. “The Road to Marginalization is Paved with Good Intentions: In Pursuit of the Re-humanization of Physically-Impaired Musicians.” International Journal of Inclusive Education 13, no. 7 (November): 767–83.

Honisch, Stefan Sunandan. 2014. “Music… to Cure or Disable”: “Therapy for Whom?” Voices: A World Forum for Music Therapy 14, no. 3 (November). https://voices.no/index.php/voices/article/view/793/658.

Howe, Blake. 2009. “The Allure of Dissolution: Bodies, Forces, and Cyclicity in Schubert’s Final Mayrhofer Settings.” Journal of the American Musicological Society 62, no. 2 (Summer): 271–322.

Howe, Blake. 2010. “Paul Wittgenstein and the Performance Of Disability.” The Journal of Musicology 27, no. 2 (Spring): 135–80.

Howe, Blake. 2011. Review of “In der Beschränkung zeigt sich erst der Meister”: Technik und Ästhetik der Klaviermusik für die linke Hand allein. Notes 68, no. 1 (September): 105–07.

Howe, Blake. 2017. “Music and the Agents of Obsession.” Music Theory Spectrum 38, no. 2 (February): 218–240. https://doi.org/10.1093/mts/mtw014.

Iverson, Jennifer. 2016. “Sounding Traumatized Bodies.” Journal of the American Musicological Society 69, no. 2 (Summer): 536–541.

Jensen-Moulton, Stephanie. 2011. “Porgy’s Cane: Mediating Disability in A.R.T’s Porgy and Bess.” American Music Review 41, no. 1 (Fall). http://www.brooklyn.cuny.edu/web/academics/centers/hitchcock/publications/amr/v41-1/moulton.php.

Jensen-Moulton, Stephanie. 2012. “Intellectual Disability in Carlisle Floyd’s Of Mice and Men.” American Music 30, no. 2 (Summer): 129–56. https://www.jstor.org/stable/10.5406/americanmusic.30.2.0129.

Johnson, Shersten. 2009. “Notational Systems and Conceptualizing Music: A Case Study of Print and Braille Notation.” Music Theory Online 15, no. 3 (August).

Jones, Matthew J. 2016a. “‘Enough of Being Basely Tearful’: ‘Glitter and Be Gay’ and the Camp Politics of Queer Resistance.” Journal for the Society of American Music 10, no. 4 (November): 422–445. http://dx.doi.org/10.1017/S1752196316000341.

Jones, Matthew J. 2016b. “Something Inside So Strong: The Flirtations and the Queer Politics of A Cappella.” Journal of Popular Music Studies 28, no. 2 (May): 142–185. https://doi.org/10.1111/jpms.12168.

Leonard, Kendra Preston. 2014. “From ‘Angel of Music’ to ‘that Monster’: Music for the Human Uncanny in Phantom of the Opera (1925/1929).” Studies in Gothic Fiction 3, no. 1 (Spring): 13–23. http://dx.doi.org/10.17613/M6D02M.

Leonard, Kendra Preston. 2018. “Musical Mimesis in Orphans of the Storm.” Music Theory Online 24, no. 2 (June).

Loeser, Cassandra and Vicki Crowley. 2009. “A Natural Ear for Music? Hearing (Dis)abled Masculinities.” Popular Music 28, no. 3 (October): 411–23.

Lubet, Alex. 2004. “Tunes of Impairment: An Ethnomusicology of Disability.” Review of Disability Studies 1 (1): 133-56.

Maler, Anabel. 2013. “Songs for Hands: Analyzing Interactions of Sign Language and Music.” Music Theory Online 19, no. 1 (March).

McKay, George. 2009. “‘Crippled with nerves’: Popular Music and Polio, with Particular Reference to Ian Dury.” Popular Music 28, no. 3 (October): 341–65.

McKay, George. 2018. “Skinny Blues: Karen Carpenter, Anorexia Nervosa, and Popular Music.” Popular Music 37, no. 1 (January): 1–21. https://doi.org/10.1017/S026114301700054X.

Michael, Emily K. 2018. “Sacred Positions: A Personal History of Blindness and Singing.” Disability Studies Quarterly 38 (3). http://dsq-sds.org/article/view/6476/5073.

Pence, Ray. 2008. “People with Disabilities Get Ready: Curtis Mayfield in the 1990s.” Review of Disability Studies 4 (2): 11–22.

Porco, Alex S. 2014. “Throw Yo’ Voice Out: Disability as a Desirable Practice in Hip-Hop Vocal Performance.” Disability Studies Quarterly 34 (4). http://dsq-sds.org/article/view/3822/3790.

Stein, Isaac. 2008. “Transformer Man: An Exploration of Disability in Neil Young’s Life and Music.” Review of Disability Studies 4 (2): 3–10. http://www.rdsjournal.org/index.php/journal/article/view/260.

Stras, Laurie. 2009. “Sing a Song of Difference: Connie Boswell and a Discourse of Disability in Jazz.” Popular Music 28, no. 3 (October): 297–322.

Straus, Joseph N. 2006. “Normalizing the Abnormal: Disability in Music and Music Theory.” Journal of the American Musicological Society 59, no. 1 (Spring): 113–84.

Straus, Joseph N. 2008. “Disability and ‘Late Style’ in Music.” The Journal of Musicology 25, no. 1 (Winter): 3–45.

Straus, Joseph N. 2014a. “Idiot Savants, Retarded Savants, Talented Aments, Mono-Savants, Autistic Savants, Just Plain Savants, People with Savant Syndrome, and Autistic People Who Are Good at Things: A View from Disability Studies.” Disability Studies Quarterly 34 (3). http://dsq-sds.org/article/view/3407/3640.

Straus, Joseph N. 2014b. “Music Therapy and Autism: A View from Disability Studies.” Voices: A World Forum for Music Therapy 14, no. 3 (November). https://voices.no/index.php/voices/article/view/785.

Tsiris, Giorgos. 2013. “Voices from the ‘Ghetto’: Music Therapy Perspectives on Disability and Music (A Response to Joseph Straus’s Book Extraordinary Measures: Disability in Music).” International Journal of Music Therapy 6, no. 3 (December): 333–342.

Waltz, Mitzi, and Martin James. 2009. “The (Re)marketing of Disability in Pop: Ian Curtis and Joy Division.” Popular Music 28, no. 3 (October): 367–80.

Wood, Elizabeth. 2009. “On Deafness and Musical Creativity: The Case of Ethel Smyth.” The Musical Quarterly 92, nos. 1–2 (March): 33–69. https://doi.org/10.1093/musqtl/gdp009.

Conference Papers

Quaglia, Bruce. 2007. “Beethoven’s Pathétique Sonata, First Movement, and the Normal Body: The Idea of Formal Prosthesis.” Paper presented to the Rocky Mountain Chapter of the American Musicological Society.

Rahn, Jay. 2004. “From Drawings by the Blind to Music by the Deaf.” Disability Studies in Music Session, Biennial Joint Meeting of the Society for Music Theory and the American Musicological Society. University of Washington, Seattle. http://yorkspace.library.yorku.ca/xmlui/handle/10315/6612.

Disability Studies Literature

Adams, Rachel. 2001. Sideshow U.S.A.: Freaks and the American Cultural Imagination. Chicago: University of Chicago Press.

Aviv, Rachel. 2010. “Listening to Braille.” New York Times Magazine (3 January): 42–45.

Bahan, Benjamin. 2006. “Face-to-Face Tradition in the American Deaf Community Dynamics of the Teller, the Tale, and the Audience.” In Signing the Body Poetic: Essays on American Sign Language Literature, edited by H-Dirksen L. Bauman, Jennifer L. Nelson, and Heidi M. Rose, 21–50. Berkeley: University of California Press.

Bahan, Benjamin. 2008. “Upon the Formation of a Visual Variety of the Human Race.” In Open Your Eyes: Deaf Studies Talking, edited by H-Dirksen L. Bauman, 83–99. Minneapolis: University of Minnesota Press.

Barasch, Moshe. 2001. Blindness: The History of a Mental Image in Western Thought. New York: Routledge.

Bauman, H-Dirksen L. 2008. “Introduction: Listening to Deaf Studies.” In Open Your Eyes: Deaf Studies Talking, edited by H-Dirksen L. Bauman, 1–34. Minneapolis: University of Minnesota Press.

Baynton, Douglas. 2001. “Disability and the Justification of Inequality in American History.” In The New Disability History: American Perspectives, edited by Paul Longmore and Lauri Umansky, 33–57. New York: New York University Press.

Baynton, Douglas. 2008. “Beyond Culture: Deaf Studies and the Deaf Body.” In Open Your Eyes: Deaf Studies Talking, edited by H-Dirksen L. Bauman, 293–313. Minneapolis: University of Minnesota Press.

Belmonte, Matthew K. 2008. “Human, but More So: What the Autistic Brain Tells Us about the Process of Narrative.” In Autism and Representation, edited by Mark Osteen, 166–80. New York: Routledge.

Bogdan, Robert. 1988. Freak Show: Presenting Human Oddities for Amusement and Profit. Chicago: University of Chicago Press.

Braddock, David and Susan Parish. 2001. “An Institutional History of Disability.” In Handbook of Disability Studies, edited by Gary Albrecht, Katherine Seelman, and Michael Bury, 11–68. Thousand Oaks, CA: Sage Publications.

Branson, Jan and Don Miller. 2002. Damned for Their Difference: The Cultural Construction of Deaf People as Disabled. Washington, D. C.: Gallaudet University Press.

Canguilhem, Georges. 1991. On the Normal and the Pathological, trans. R. Fawcett. New York: Zone Books.

Chew, Kristina. 2008. “Fractioned Idiom: Metonymy and the Language of Autism.” In Autism and Representation, edited by Mark Osteen, 133–44. New York: Routledge.

Corker, Mairian and Sally French. 1999. “Reclaiming Discourse in Disability Studies.” In Disability Discourse, edited by Mairian Corker and Sally French, 1–12. Buckingham and Philadelphia: Open University Press.

Couser, Thomas G. 1997. Recovering Bodies: Illness, Disability and Life Writing. Madison: University of Wisconsin Press.

Davidson, Michael. 2008. Concerto for the Left Hand: Disability and the Defamiliar Body. Ann Arbor: University of Michigan Press.

Davis, Lennard. 1995. Enforcing Normalcy: Disability, Deafness, and the Body. London and New York: Verso.

Davis, Lennard. 1997a. “Constructing Normalcy: The Bell Curve, the Novel, and the Invention of the Disabled Body in the Nineteenth Century.” In The Disability Studies Reader, edited by Lennard Davis, 9–28. New York: Routledge.

Davis, Lennard. 1997b. “Nude Venuses, Medusa’s Body, and Phantom Limbs: Disability and Visuality.” In The Body and Physical Difference, edited by David Mitchell and Sharon Snyder, 51–70. Ann Arbor: University of Michigan Press.

Davis, Lennard. 2002. Bending Over Backwards: Disability, Dismodernism and Other Difficult Positions. New York: New York University Press.

Davis, Lennard. 2003. “Identity Politics, Disability, and Culture.” In Handbook of Disability Studies, edited by Gary Albrecht, Katherine Seelman, and Michael Bury, 535–545. Thousand Oaks: Sage Publications.

Davis, Lennard. 2008. Obsession: A History. Chicago: The University of Chicago Press.

Davis, Lennard, ed. 2010. The Disability Studies Reader, 3rd ed. New York: Routledge.

Davis, John and M. Grace Baron. 2006. “Blind Tom: A Celebrated Slave Pianist Coping with the Stress of Autism.” In Stress and Coping in Autism, ed. M. Grace Baron et al., 96–126. New York: Oxford University Press.

Dolmage, Jay. 2005. “Between the Valley and the Field: Metaphor and Disability.” Prose Studies 27 (1–2): 108–19.

Ebenstein, William. 2006. “Toward an Archetypal Psychology of Disability Based on the Hephaestus Myth.” Disability Studies Quarterly 26, no. 4 (Fall). http://dsq-sds.org/article/view/805/980.

Ferris, Jim. 2005. “Aesthetic Distance and the Fiction of Disability.” In Commotion: Disability and Performance, edited by Carrie Sandahl and Philip Auslander, 56–68. Ann Arbor: University of Michigan Press.

Fitzgerald, Michael. 2004. Autism and Creativity: Is There a Link between Autism in Men and Exceptional Creativity? New York: Routledge.

Frank, Arthur W. 1995. The Wounded Storyteller: Body, Illness, and Ethics. Chicago: University of Chicago Press.

Garland-Thomson, Rosemarie, ed. 1996. Freakery: Cultural Spectacles of the Extraordinary Body. New York: New York University Press.

Garland-Thomson, Rosemarie. 1997a. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. New York: Columbia University Press.

Garland-Thomson, Rosemarie. 1997b. “Feminist Theory, the Body, and the Disabled Figure.” In The Disability Studies Reader, ed. Lennard Davis, 279–94. New York: Routledge.

Garland-Thomson, Rosemarie. 2001. “Seeing the Disabled: Visual Rhetorics of Disability in Popular Photography.” In The New Disability History: American Perspectives, edited by Paul K. Longmore and Lauri Umansky, 335–74. New York: New York University Press.

Garland-Thomson, Rosemarie. 2004a. “The Cultural Logic of Euthanasia: ‘Sad Fancyings’ in Herman Melville’s ‘Bartelby.’” American Literature 76, no. 4 (December): 777–806.

Garland-Thomson, Rosemarie. 2004b. “Integrating Disability, Transforming Feminist Theory.” In Gendering Disability, edited by Bonnie G. Smith and Beth Hutchison, 73–106. New Brunswick and London: Rutgers University Press.

Garland-Thomson, Rosemarie. 2005. “Dares to Stare: Disabled Women Performance Artists and the Dynamics of Staring.” In Bodies in Commotion: Disability and Performance, edited by Carrie Sandahl and Philip Auslander, 30–41. Ann Arbor: University of Michigan Press.

Garland-Thomson, Rosemarie. 2009. Staring: How We Look. New York: Oxford University Press.

Goffman, Erving. 1963. Stigma: Notes on the Management of Spoiled Identity. New York: Simon & Schuster.

Hacking, Ian. 1998. Mad Travelers: Reflections on the Reality of Transient Mental Illnesses. Cambridge, MA: Harvard University Press.

Hawkins, Anne Hunsaker. 1999. Reconstructing Illness: Studies in Pathography, 2nd ed. West Lafayette, IN: Purdue University Press.

Jamison, Kay Redfield. 1996. Touched with Fire: Manic-Depressive Illness and the Artistic Temperament. New York: Free Press.

Kleege, Georgina. 1999. Sight Unseen. New Haven: Yale University Press.

Kriegel, Leonard. 1987. “The Cripple in Literature.” In Images of Disability, Disabling Images, edited by Alan Gartner & Tom Joe, 31–46. New York: Praeger.

Kuppers, Petra. 2001. Disability and Contemporary Performance: Bodies on Edge. London: Routledge.

Kutchins, Herb and Stuart A. Kirk. 1997. Making us Crazy: DSM: The Psychiatric Bible and the Creation of Mental Disorders. New York: The Free Press.

Kuusisto, Stephen. 2006. Eavesdropping: A Memoir of Blindness and Listening. New York: Norton.

Lane, Harlan. 1984. When the Mind Hears: A History of the Deaf. New York: Random House.

Lewis, Bradley. 2006. Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry. Ann Arbor: University of Michigan Press.

Linton, Simi. 1998. Claiming Disability: Knowledge and Identity. New York: New York University Press.

Longmore, Paul. 2003. Why I Burned My Book and Other Essays on Disability. Philadelphia: Temple University Press.

Longmore, Paul and Lauri Umansky. 2001. “Introduction: Disability History: From the Margins to the Mainstream.” In The New Disability History: American Perspectives, edited by Paul Longmore and Lauri Umansky, 1–32. New York: New York University Press.

McRuer, Robert. 2002. “Compulsory Able-Bodiedness and Queer/Disabled Existence.” In Disability Studies: Enabling the Humanities, edited by Sharon Snyder, Brenda Joe Brueggemann, and Rosemarie Garland-Thomson, 88-99. New York: The Modern Language Association of America.

Mills, Bruce. 2008. “Autism and the Imagination.” In Autism and Representation, edited by Mark Osteen, 117–32. New York: Routledge.

Mitchell, David and Sharon Snyder. 1997. “Introduction: Disability Studies and the Double Bind of Representation.” In The Body and Physical Difference: Discourses of Disability, edited by Mitchell and Snyder, 1–34. Ann Arbor: The University of Michigan Press.

Mitchell, David and Sharon Snyder. 2000. Narrative Prosthesis: Disability and the Dependencies of Discourse. Ann Arbor: The University of Michigan Press.

Murray, Stuart. 2008. Representing Autism: Culture, Narrative, Fascination. Liverpool: Liverpool University Press.

Norden, Martin. 1996. The Cinema of Isolation: A History of Physical Disability in the Movies. New Brunswick: Rutgers University Press.

Padden, Carol and Humphries, Tom. 1988. Deaf in America: Voices from a Culture. Cambridge, Mass.: Harvard University Press.

Poore, Carol. 2009. Disability in Twentieth-Century German Culture. Ann Arbor: University of Michigan Press.

Sandahl, Carrie and Philip Auslander, eds. 2005. Bodies in Commotion: Disability and Performance. Ann Arbor: University of Michigan Press.

Scully, Jackie Leach. 2008. Disability Bioethics: Moral Bodies, Moral Difference. Lanham: Rowman & Littlefield.

Shakespeare, Tom. 2006. Disability Rights and Wrongs. London: Routledge.

Siebers, Tobin. 2008. Disability Theory. Ann Arbor: University of Michigan Press.

Siebers, Tobin. 2010. Disability Aesthetics. Ann Arbor: University of Michigan Press.

Smith, Bonnie G. and Beth Hutchison, eds. 2004. Gendering Disability. New Brunswick and London: Rutgers University Press.

Sontag, Susan. 1978. Illness as Metaphor. New York: Farrar, Straus and Giroux.

Stiker, Henri-Jacques. 2000. A History of Disability, trans. William Sayers. Ann Arbor: University of Michigan Press.

Straus, Joseph. 2010. “Autism as Culture.” In The Disability Studies Reader, 3rd ed., edited by Lennard J. Davis, 535–62. New York: Routledge.

Thomas, Carol and Mairian Corker. 2002. “A Journey Around the Social Model.” In Disability/Postmodernity: Embodying Disability Theory, edited by Mairian Corker and Tom Shakespeare, 18–31. London and New York: Continuum.

Wendell, Susan. 1996. The Rejected Body: Feminist Philosophical Reflections on the Disabled Body. New York: Routledge.

Wendell, Susan. 1997. “Toward a Feminist Theory of Disability.” In The Disability Studies Reader, 1st ed., edited by Lennard J. Davis, 260–78. New York: Routledge.

Scientific Literature

Alajouanine, Théophile. 1948. “Aphasia and Artistic Realization.” Brain 71, no. 3 (September): 229–41. https://doi.org/10.1093/brain/71.3.229.

Ayotte, Julie et al. 2002. “Congenital Amusia: A Group Study of Adults Afflicted with a Music-Specific Disorder.” Brain 125, no. 2 (February): 238–251.

Brown, Walter A. et al. 2003. “Autism-Related Language, Personality, and Cognition in People with Absolute Pitch: Results of a Preliminary Study.” Journal of Autism and Developmental Disorders 33, no. 2 (April): 163–67.

Gaab Nadine et al. 2006. “Neural Correlates of Absolute Pitch Differ between a Blind and Sighted Musicians.” Neuroreport 17, no. 18 (December): 1853–57.

Hamilton, Roy, et al.. 2004. “Absolute Pitch in Blind Musicians.” Neuroreport 15, no. 5 (April): 803–806.

Hermelin, Beate, et al. 1987. “Musical Inventiveness of Five Idiots-Savants.” Psychological Medicine 17, no. 3 (August): 685–694.

Marin, Oscar and Perry, David. 1999. “Neurological Aspects of Music Perception and Performance.” In The Psychology of Music, 2nd ed., edited by Diana Deutsch, 653–724. San Diego: Academic Press.

Miller, Leon K. 1987. “Determinants of Melody Span in a Developmentally Disabled Musical Savant.” Psychology of Music 15, no. 1 (April): 76–89.

Miller, Leon K. 1989. Musical Savants: Exceptional Skill in the Mentally Retarded. Mahwah, NJ: Lawrence Erlbaum Publishers.

Mottron, Laurent et al. 1999. “Absolute Pitch in Autism: A Case-Study.” Neurocase 5 (6): 485–501.

Ockelford, Adam. 2006. “Using a Music-Theoretical Approach to Explore the Impact of Disability on Musical Development: A Case Study.” In Sounding Off, edited by Lerner and Straus. New York: Routledge.

Pring, Linda et al. 2008. “Melody and Pitch Processing in Five Musical Savants with Congenital Blindness.” Perception 37, no. 2 (January): 290–307.

Ward, W. Dixon. 1999. “Absolute Pitch.” In The Psychology of Music, 2nd ed., edited by Diana Deutsch, 265–98. San Diego: Academic Press.

Public Disability Studies

Hibbert-Bown, Mel, founder. Intersectionality Network.

Honisch, Stefan Sunandan. 2018. “Music First or Disability First?” Public Disability History 3 (4).

Howe, Blake. 2014. “Music & Disability Studies: An Introduction.” Musicology Now. American Musicological Society.

Jones, Jeannette DiBernardo. 2013. “A day in Eyeth.” OUPblog. Oxford University Press.

Tusler, Anthony. 2012. “Porgy’s Long Journey.” New Mobility (October). http://www.newmobility.com/2012/10/porgys-long-journey/.

Wong, Alice, founder. Disability Visibility Project.

 

Page last updated on 18 August 2018. To add additional items to this bibliography, please complete the submission form.

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