Recent Publications

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Recent publications:

Accinno, Michael. 2019. “Extraordinary Voices: Helen Keller, Music and the Limits of Oralism.” Journal of Interdisciplinary Voice Studies 4, no. 2 (October): 139–156. https://doi.org/10.1386/jivs_00002_1.

Carrico, Alexandria. 2019. “From Craic to Communitas: Furthering Disability Activism Through Traditional Irish Song.” Journal of Interdisciplinary Voice Studies 4, no. 2 (October): 257–63. https://doi.org/10.1386/jivs_00009_1.

Deaville, James. 2019. “The Moaning of (Un-)Life: Animacy, Muteness and Eugenics in Cinematic and Televisual Representation.” Journal of Interdisciplinary Voice Studies 4, no. 2 (October): 225–245. https://doi.org/10.1386/jivs_00007_1.

Dell’Antonio, Andrew. 2019. “Cripping the Music History Classroom: Disability, Accommodation, Universal Design for Learning.” In Norton Guide to Teaching Music History, edited by C. Matthew Balensuela, 247–260. New York: W. W. Norton.

Fessenden, Jon William. 2019. “Autistic Music, Musicking, and Musicality.” Journal of Literary & Cultural Disability Studies 13, no. 1 (February): 1–19. https://doi.org/10.3828/jlcds.2019.1.

Holmes, Jessica. 2019. “‘The Manic Pixie Dream Girl of the Synth Pop World’ and her ‘Baby-Doll Lisp’: Grimes and the Disabling Logics of the Feminization and Infantilization of Lisping.” Journal of Popular Music Studies 31, no. 1 (March): 131–55. https://doi.org/10.1525/jpms.2019.311011.

Holmes, Jessica, and Nina Sun Eidsheim. 2019. “‘A Song For You’: The Role of Voice in the Reification and De-Naturalization of Ablebodiedness.” Journal of Interdisciplinary Voice Studies 4, no. 2 (October): 131–38. https://doi.org/10.1386/jivs_00001_2.

Holmes, Jessica, and Nina Sun Eidsheim, eds. 2019. Special Issue on Music, Voice, and Disability. Journal of Interdisciplinary Voice Studies 4, no. 2 (October). https://www.ingentaconnect.com/content/intellect/jivs/2019/00000004/00000002.

Honisch, Stefan Sunandan. 2019. “Singing Tone: Disability and Pianistic Voices.” Journal of Interdisciplinary Voice Studies 4, no. 2 (October): 247–255. https://doi.org/10.1386/jivs_00008_1.

Iverson, Jennifer. 2019. “Disabling the Avant-Garde: Listening to Berberian and Lucier.” Journal of Interdisciplinary Voice Studies 4, no. 2 (October): 157–177. https://doi.org/10.1386/jivs_00003_1.

Jones, Matthew J. 2019. “The Hexagram of the Heavens, The Strings of My Guitar: Joni Mitchell’s Crip Virtuosity.” In Joni Mitchell: New Critical Readings, edited by Ruth Charnok, 21–41. New York: Bloomsbury.

Knapp, Raymond, and Zelda Knapp. 2019. “Musicals and the Envoicing of Mental Illness and Madness: From Lady in the Dark to Man of La Mancha (and Beyond).” Journal of Interdisciplinary Voice Studies 4, no. 2 (October): 209–223. https://doi.org/10.1386/jivs_00006_1.

Schwartz, Jessica. 2019.“Self-Determination, Disability Aesthetics and (Refusals of) Voice in the USRMI Compact of Free Association.” Journal of Interdisciplinary Voice Studies 4, no. 2 (October): 191–207. https://doi.org/10.1386/jivs_00005_1.

Tan, Wei Yu Wayne. 2019. “Disability, Text, and Performance: The Significance of One Blind Musician’s Career in Tokugawa Japan.” Journal of Japanese Studies 45, no. 1 (Winter): 91–119. https://doi.org/10.1353/jjs.2019.0004.

 

 

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